Having never read a graphic short
story before, I had no idea what I was in store for. I was presently surprised by
the form and the content of each of these short pieces. The economy of words
and the emotions brought forth by the pictures was amazing.
The variety of graphic short story surprised
me. Not only can one tell completely different types of stories, but they can
be told in varying ways. “Aubery” was a story with in a story. Laurie J. Proud,
used the story and rumors of the kid they named Aubery to frame a story about
her father that isn’t fully expressed. This works for me because of the mystery
surround Aubery, the not-knowing of the father’s story is okay because Aubery
serves as a metaphor of not knowing the whole story. The economy of words in
this story is something to be admired especially because the pictures really tell
the story.
“Cat Sitter” used mainly pictures
and humor to get the point across. I thought it was funny and it really showed
the power of placement of things. For example the decision to have the letter
found after the cat starched the sitter and the letter to have blood on it was
quite ironic and therefore funny. Also a cat in a crown wins every day in my
book.
I thought the use of flashback was
amazing in “Paint.” It help illustrate the point that in this form setting is
literally seen and not told. For example, we talk a lot about grounding our
readers when we shift in time and place. In paint the color of the protagonist’s
hair, served as that grounding. Subtle changes made to the attire and face let
the reader know where we were in time. Also, I don’t know if it was because the
colors were so bright, but it was really easy to feel the love in that piece.
Out of all the short graphic short
story the dark stunning brilliance of “In Room 208” stood out to me the most. It
was hauntingly beautiful and it is complex and full of layers. I loved how the
pictures seem to come full circle. If we look closely, the landscapes on page 77
and 81 look eerily similar. Which is on purpose because nothing is wasted in a
graphic short story. Every letter counts, every stroke of the pen, every shade
of color, is all purposefully used to convey the thought and emotion. I enjoyed how deliberate it was in terms of
the choices that were made. Not only the words used, but where they were placed
on the pictures. Specifically on page 80 where the image of the couple faces
after being in bed so long are staring to grow into each other, the picture is
cute into three sections and the lines “When we grew” “too fat” “to move” are
placed above each section, a rhythm is and it heightens the drama, and lifts
the tension. The choices made in Room “208”
and all the pieces simply blew me away.
Best,
CF Pinto
you found something unique in each of the pieces that was essential to the story--the reliance of narration and image in aubrey, the irony in cat-sitter, the flashback in Paint and the people as landscapes in Room 208--the artist/writer has so many selections in terms of presenting that these choices particularize each of these works to play with our response. yea.
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